12.31.19

i'll have read at least 60 books by the end of this year! let's ignore the fact that i am a childless freelance writer and pretend that it is a proper feat. this is how i've felt about the last dozen (part 1 of 2).

verge (lidia yuknavitch): i have already forwarded my advance copy of this short-story collection to a friend, which might have been a terrible idea: there's wonderful stuff in there, to be sure, but there is also a (moving) story about a fellow with an artificial eye which might at one point have been called "eye of the beholder" (again, copy already forwarded). i liked it well enough that i took the book of joan (a novel) out of the library and will read it with gusto when i finish philip pullman's the secret commonwealth (lyra still seems a bit like a tween! the hbo adaptation kind of sucks!).

the contender: the story of marlon brando (william j. mann): mann's premise is that brando is a misunderstood dick, and this biography did little to shake that noun; he seems to have been a lackadaisical pet-raccoon custodian, a terrible romantic partner (in the loosest possible sense of the term), and a flaky activist. (disclosure: i have not seen on the waterfront.) i am prepared to revisit my opinion of brando via another biographer, but i expect deirdre-bair-level energy.*

catch and kill (ronan farrow): farrow's indictment of harvey weinstein, matt lauer, and his former employers at nbc is searing; i admit that as a self-centered former research chief, my first reaction to his impeccably-sourced work is predictable. you know the #metoo story, but the background is worth your time; it's also reason number four thousand and eighty-seven to appreciate gives-zero-fucks rachel maddow. passed this one to the same friend who received verge and i appreciate that she still wants to hang on new year's eve.

in the dream house (carmen maria machado): i loved CMM's short-story collection and knew her memoir would be wonderful; i didn't know that she would reframe my understanding of both queer abuse and emotional abuse as a general proposition. i want very much to pass this to one person in particular, as i think it would help her understand her past—as machado says, "if you need this book, this is for you"—but the person i have in mind has some extenuating circumstances. if you can read it now, please do.

the elusive moth (ingrid winterbach): woof. my literary experience with south africa is mostly limited to a couple of j.m. coetzee novels, and i was decidedly unready for this one, which is a painterly (literally, winterbach is also a painter) take on a small free state community in the '90s and a woman who returns there to Find Herself. the sense of place and history is strong, but the characters flit out of your hands like (don't say it, don't say it). (aside: while the novel's english translation is called the elusive moth, it's named for its protagonist, karolina ferreira, in the original afrikaans.) i would like to say that i'm getting better at reading experimental/ish fiction in my dotage, but this confounded me a bit unless i thought of it as a tone poem. i don't think that's what i was meant to think.

the silence of the girls (pat barker): it's hard to talk about this one without talking about madeline miller's circe and the song of achilles (both of which i also read this year, in that order); those novels are both what i would consider high-romantic takes on myth, and i found the former much more successful than the latter (achilles is just a dirtbag, even through the eyes of a devoted narrator as in miller). barker's novel leans into achilles-as-dirtbag, but she does it in an unapologetically contemporary way that's somehow even more off-putting than miller's occasionally-stilted style: i don't expect achilles and agamemnon (and briseis, the trojan woman at the core of barker's novel and homer's epic) to sound homeric, but i don't know that i'm ready for them to sound fully modern (with modern-ish slang!). i thought after reading miller that i wanted to see old villains in newer clothes, but barker made me realize that i actually want to see marginalized characters in properly heroic (and traditional!) weeds. briseis doesn't need a translator: she needs room where she lives.


*deirdre bair is one of the greatest biographers of all time. don't @ me.

12.20.19

we realized a few months ago, abruptly and pretty decisively, that it would be a good idea to leave new york city and move to portland (oregon). joe's work situation was horrifically stressful and seemed unlikely to improve; given his status as a tenured civil servant, transitioning to something outside of city work with analogous literal and figurative benefits would be difficult if not impossible; our parents (and sisters' children) are still young and fun and we would like to spend more time with them; the idea of new york money in oregon was inexpressibly sexy. i sat and thought about what our lives would look like if we stayed here for the next decade and felt that i would like to not know what would come next. i have a pretty good idea of what we would be if we persisted here.

i had a dream about psychoanalysis a couple of nights ago, or about the trappings of psychoanalysis. i was reviewing an insurer's bill for a terribly long group session, and it included both copays and little instances of self-awareness: at one point someone demonstrated admirable growth and got a twenty-five-cent credit, at another point someone else broke down and incurred an extra fee. there was an occasional incidental charge for slicing cake? (i don't have a non-dreamland group session, or any sort of session. i gave up on doctor omnibus a year ago when i cried in front of him for the first time—about loneliness over the holidays, in fact!—and he wouldn't look me in the eye.)

we spent a week in portland to see how it would feel, and while most locals were absolutely lovely i cracked a number of times because i missed pigeons (there are pigeons in portland, but it's not the same) and because new york is unquestionably my home. that said, we're going to save, and think, and approach portland again in—a year? joe's work situation has improved but is still dodgy. i still feel that if we don't exercise our DINK privilege and broaden our horizons we deserve to be recycled.

i have spent more than a decade telling myself that i am a better daughter/sister/partner because i am the best version of myself when i live in this city. while i know i wasn't wrong, i don't feel that i'm quite right.

12.17.19

the dirty dozen {excerpts from yelp reviews of crystal springs rhododendron garden*}

01 During our trip to Portland to see extended family, I set a goal of walking as much as I could.

02 I came across this online and realized it's not too far from our house. I thought it would be a nice excuse to get outside and do something on a decent weather day.

03 I will say there was one very big duck that I definitely got frightened of and I felt like the other ducks could probably feel my fear.***

04 Some poor fool was disappointed that there was no "foods."  It's a fucking park, bring a picnic for yourself if you must have "foods" "because this is America ."

05 I went to the garden and the lady at the front desk had the audacity to yell at me and my Girl Scout troop. All we did was walk up to have a ceremony with my girls to celebrate growth in there life. and she screamed at us with a horrible tone.

06 Not a concern unless you have a bee allergy. It is a garden, so there are, naturally, bees around the area. Be aware of this if you are allergic to bees. 

07 Turns out I spoiled an opportunity to get proposed to in the rain on the bridge by the lake. It's a perfect setting to be proposed to. The person that gets propose to here would be lucky. 

08 Watch some birds do bird things.  Sit by a pond or lake.  Stare down a squirrel.  All around good times.

09 If you're having a tough time deciding whether you want to procreate, there are usually enough well-behaved, cute kids here to push you over on the side of spending the quarter million dollars it will cost you over 18 years. And then you, too, can take your own cute, well-behaved kids here and hear them scream, "Look at the weird duck, Mommy!"

10 It's a garden. And like the many other gardens, foliage, parks, and recreational destinations in and around Portland, it's gorgeous, well maintained, and generally awesome. I love shit like this.

11 On the way out there was an enormous road sign that said "Inmate Work Crew Ahead" that wasn't there on the way in.  Now, I'm sure they were all non-violent offenders but if I was a Mom with an infant in tow I think I would be a bit unnerved.

12 They have some hideous and rare type of goose here that has a red fleshy head similar to a turkey.  Does anyone know what this hag bird is?****

*where we saw our first nutria!** we thought they were beavers and then that they were muskrats, but no, they were nutria.

**i pity the nutria, and the other invasive species portland rehabbers like the local audubon society won't help; it's not their fault they were brought here for their fur. we're an invasive species, too, and our fur is worthless. 

***i'd totally forgotten joe is afraid of waterfowl until he startled away from a couple of canada geese. geese, no less! i'm a goose whisperer, he totally gets the family and friends discount!

****yeah, a muscovy duck, hater.