01.31.26 [on the J train]

if it would bother you to know about the most notable dream-logic elements of the secret agent, the very good brazilian 2026 oscar contender about dictatorship, stop reading now; if that doesn't feel deal-breaky and/or your memory is bald-tired like mine, know that i woke up thinking about the two-faced cat (conjoined cats?) that move/s through its recife apartment building/hideout. for the most part the filmmakers went with practical effects – there's another sequence where a severed leg reanimates, saint's-limb-performing-a-miracle-style, and kicks a bunch of people cruising for sex in a public park, and that's all stop-motion animation – but the cat/s is/are CGI, i think? there's a blur to its/their face that i associate with the progressive lenses i got a couple months ago and still haven't worn enough to see through without a bit of vertigo. as i was trying and failing to get a good night's sleep before this morning's train ride to clinic escorting, i mused that i'm pretty okay with a bit of dream logic in most movies now; half the time the news reads like something my brain riffed as i nodded off anyway.

i'm starting to wonder if i need to pick a role and stick to it when it comes to...the news? i rolled out for protest monitoring three times this month and feel like i'm finally settling into meaningful contributions; i know what to film and how to make my observations useful, i can be conspicuous in a way that feels like it deters institutional overreach, and i can recognize and work with cops' and protesters' behavior patterns. but i'm also scheduled to train up with a nascent neighborhood rapid-response patrol today, to be more like the observers deterring federal agents in minnesota, and i don't know that i should do both. does it matter that local law enforcement and i recognize each other now, as the anti-abortion haranguers i might or might not see on the sidewalk in 15 minutes and i do? it's way too late for me to wear a mask, and i'm sure i'm on plenty of lists. but i am relatively safe and it's my responsibility to spend down as much of that privilege as i can, right? in any case, more training is always a good idea; i would be the hypercompetent elinor smith of this moment, not the amelia earhart whose bravery and luck become a fatal talisman. that's what elinor seemed to conclude about amelia, anyway. she didn't go so far as to call her intentionally underprepared, but she did seem to think she was performing courage for herself. no, i still don't know if i'm going to write a book about that.

01.24.26 [on the J train]

i left the apartment with an extra giddy-up in my step to make it to the library before heading out to queens this morning, as i was not interested in having the shards in my life for another day or two. i don't remember bret easton ellis being that bad — i don't remember much about rules of engagement, honestly, though i know i preferred donna tartt's the secret history if we're ranking fictionalized-bennington novels — but hoo, friends. it did entertain me that a key scene went down at crystal cove, the park/beach due west of my dad's place to which i repair when visiting the OC, and his fixation on ultravox's "vienna" did inspire me to watch the banger of a video and then pick up the demonic lafufu i found on the giveaway heap in our laundry room, which i steeped in boiling water and woolite and have added to the rotation of creatures that join me via my tote bag for protest monitoring and reproductive health clinic escorting, and that's not nothing. do i need to read less than zero or, like, american psycho? my library-holds queue threw a four-book clot last week, so i won't be doing it any time soon, at least.

i got a bitchy letter from the blood bank saying that, per the FDA, i was nearing the limit of what one can safely donate over the course of a year and won't be allowed back until mid-march, maybe i could do them a favor and be a little more mindful of my schedule in the future? i called to contest that, as i was/am way under the max of 24 platelet draws at least a week apart that their literature mentions. as the aggrieved gal at their call center explained, my donations had all been triples, as the techs are directed to optimize donors' visits. "and your platelet count has been going up over time," she said in an accusatory way. are you blood-shaming me, lady?! i tried to suggest, respectfully, that the letter's patronizing wording and tone were perhaps at cross-purposes with their center's aims, and that it was challenging to keep pacing in mind when i received weekly texts about critical platelet shortages i alone could resolve and also wasn't informed that i was up in Ye Threefold Bloodlettings, but i don't think she was interested in being receptive to me, and that was not a me problem.

on bloodlettings, luc besson made a dracula! i don't know much yet, but the romantic trappings and mars attacks!-adjacent vamp-coiffing suggest it'll be francis-ford-coppola-ish, and more of that energy in 2026, please. in other news of the not-traditionally-alive, we saw 28 years later: the bone temple despite my worry that it would hurt my feelings (a fear i also had and was later sheepish about with the first 28 years later movie) and holy shit, that's the most fortifying business i've seen in ages. absolutely everything about ralph fiennes's character was delightful (inspired, i dug around this week for iron maiden 50th-anniversary tour tickets and would have planned a trip around a show, were they not some $400 and up per seat), and i burst into tears at the last line. it's fortifying to watch the zombie metaphor evolve past capitalism and fascism to whatever this is; i'm really hoping danny boyle can land the plane with the final movie in the cycle. i was reminded of the harbinger, the COVID-in-new-york-city movie that unpicked experiencing the pandemic here for me, and i dearly love to see genre films meeting their moments. i'm almost tempted to hang around and try to talk the local horror folks into letting me volunteer for their film festival again this year (they absolutely didn't need the extra hands and were humoring me last year, the softies).

01.01.26

2026: THE YEAR IN REVIEW

i ran six miles.
i watched part of mamdani's public inauguration.
i ate half a burrito.
i took a nap.
i found a hole in my sweater.
i wore fingerless gloves.
i walked across the williamsburg bridge.
i ordered leeks vinaigrette.
i loaded three washing machines.
i emptied the dishwasher.

12.27.25 [on the J train]

our first proper snow of the year, and it's still coming down; the only folks on the sidewalk at a quarter to seven were me and a guy in one of the amazon tuk-tuks. i left the christmas tree lights on so joe will wake up to the cats basking under it like sea lions at the wharf. i have at long last transitioned to reading the new jessica mitford biography, and while it's not especially difficult to tell an interesting story about mitfords it's a relief to be out of the land of shaggy memoir. memoir is hard, turns out! (every version of the nonfiction book i plan and re-plan in my head has a little less of me on the page; it's not that i don't think there are worthwhile braided narratives out there, it's that voice tells a better story than anecdotes do, i think. is this a story, or even a voice? i think it's a ritual.) chances are good, though i shouldn't talk about it, that the anti-abortiion protesters won't be at the reproductive health clinic this morning and we can all go home after chatting about sci fi and knitting in the basement for a while. i have missed that over the past few months; trying to fall asleep in time to get proper rest before one of these shifts is stressful, but it does me good to share space with these people. my social life as a volunteer has contracted since i stopped working at the bird hospital and the bookstore; i spend plenty of time at the library uptown and the atmosphere is wonderful, but i'm mostly in charge of a quiet study room, so i'm not talking to anyone. i get little concentrated bursts of company when i head out to monitor police at protests, but the experience of interacting with that crowd is, weirdly, overwhelmingly negative; as a rule, they're absolutely terrible at following directions or staying on topic (when we're chatting on signal about upcoming trainings or actions, not actually showing up for them). ditto the folks in charge of election protection that i met before monitoring a poll site this november. discouraging if not a little terrifying! but if widespread meaningful change is going to happen, maybe the incompetent need to be part of it as well? i'll be going for an early-to-me walk with my dad tomorrow, our equivalent of a holiday get-together since he's usually spoken for on christmas itself with my stepfamily. i suspect that this year they went down to virginia, where my garbage stepbrother has relocated to better terrify athletes and international fans as a member of the administration. i was too surprised this summer when his mother bragged about the work he was doing to make any kind of meaningful response, and maybe that's for the best, much as i've never decided which one poisonous text i'll send him before he blocks my number and/or changes his own. you'd think that since i now run so often and for so long i'd eventually get to the end of my grievances, but there are so many things to stew about, internets!

i think i've actually found a podcast i can put on instead of cable news as i finish my quilt after joe's gone to bed. i'm a little reluctant to look into how many episodes there are total because it's going to be like five, but what a quintet! it's a former coast guard helicopter pilot speaking with other pilots and authors about women in aviation. everyone is almost painfully competent, and there are no commercials. it's possible that in making my way through these stories i'll find that i don't need to tell one myself after all, but that wouldn't actually be a bad thing, if your point in making things part of the world is that they aren't yet. what isn't yet?

12.22.25

ah, nothing beats the feeling of sitting down to finally type out the four last posts you first wrote longhand on various early-morning trains and discovering your notebook has been decluttered into functional nonexistence. (it's very likely still in the apartment somewhere, but i'd have to tear at least one and realistically like two and a half closets to know for sure.) and i was feeling so smug about technically blogging once a month all year! i will dig for the notebook, obviously posterity can't be expected to face the future without access to whatever i rambled en route to my volunteer gig, but i probably need to accept that i might not find it for a while. it's okay; i'm okay.

i ran my five half marathons (halves marathon) for the year, and i think i clocked a personal record on the last one; satisfying, that, and i've already booked my first for the new year, which not so coincidentally is the same course. my last 2025 writing deadline was friday, so i'll spend the next week digging around for that fucking notebook, getting ahead for the few pieces i have on the books for next year, and jolting out of bed in the middle of the night to write a heart-wringer of a final stanza for ye children's book. (we're still going back and forth with the prospective editor; she's accepted that jo and i are a package deal and now needs us to submit a few full illustrations and a whomper of a draft that tears her feelings limb from limb.) i've finally started hand-quilting the quilt i started piecing circa lockdown in 2020, and it's not at all what i imagined and very cool, if painful; i need to develop a system that doesn't involving stabbing my leg with each stitch to be sure i've gotten through the top, batting and backing. i'm nearly 200 pages into margaret atwood's memoir and as of today have the prospect of a new jessica mitford biography that just erupted from my holds list at the library to carry me through the remaining, oh god, 300 pages or so; there's a lot of midcentury canada out there. my reading for the second half of the year has been much more enthusiastic, as i realized at a fateful visit to nordstrom rack with my mom that i desperately need readers; in addition to the pair i bought on the spot, i now have a big-ass pair of progressive aviators that i know i need to start wearing but currently fear and try to ignore. the cats are parked under the christmas tree like fruitcakes. i'm forty-seven. there's a breeze.

07.26.25 [on the F train]

yesterday i turned in an author's note and a new draft of the book i'm writing, internets! i am writing a book and i'm pretty proud of it so far! this progress doesn't mean much in practice to people who aren't me, since my potential editor has yet to present it to her acquisitions team and who knows what they'll think, but the vibe i get from her (and sometimes my vibe-based predictions bear out, it's technically possible) is a good one, and the last time we had a zoom call she said she thought we might be ready to present after this draft, maybe. i addressed her notes diligently, and gave her a version that's nearly twice as long as the previous one and full of the stage directions and hijinks she requested; assuming this is all material we can shape and shape as we go and she's not likely to announce that she hates my face and wants nothing more to do with me, it seems like good things are happening? the x factor now is how she will respond to the revelation (and it will be a revelation, we haven't talked much on this to date) that i must work with my sister as my illustrator-partner. this has become more and more apparent to me as i write and talk with people about the project, of course it has; at first i fixated on what a fellow clinic escort who happens to be a children's book agent(!) that i met like two years ago told me about how writers and illustrators almost never come as a package deal, it's standard practice unless you're some crazy-famous pair for a publisher to accept your manuscript and then look to their own contact list for the second half of the book. but we are a writer-illustrator rather than a pair of nobodies, you see; the idea of handing off my baby and waiting to see if it finds a proper life partner has never sat right with me, this story has a million little fiddly parts that an artist needs to have in mind to get it right. filing text and then just trusting that to fate is nonsensical. jo created our wedding art, she created the portrait of chuck that's on my back forever, and i can't imagine anyone but her telling this story with me; i also can't imagine cannonballing into a subcareer as a children's author without her as my partner. our artist mother was our first teacher (not a metaphor, she came in to teach at our elementary schools); we've been absorbing the world in tandem all our lives, and we share an imagery set that we're already referencing explicitly as we plan out how to make the book-folks see what's plain to us. we want to make a new, magical thing together, and i'm so nervous that being honest about what i want will cost me what feels in my shakiest moments like conditional approval from the powers that be, but what if everyone isn't telling me they like my story just to be nice? what if it's finally time to stop being the formerly precocious child who gets bored and gives up on things when they get difficult and actually fights for something wonderful? what if we had the confidence of a mediocre white man?! poor joe is already reeling from how much i've had to hype myself up to keep going with this, and i think he too is a little afraid that my insisting on working with my sister could cost me everything when it comes to this publisher, but if i let myself be intimidated and don't push for what i know i need to be great then it's cost everything already, right? when did i turn into a motivational poster? watch this space.

06.28.25 [on the J train]

this past sunday was, i realized, the first day on which i've seen every member of my immediate family in 14 years (when my sister got married in san francisco). we weren't all in the same place: i woke up at my mother's house, went down to tiburon with that sister for my cousin's celebration of life (and we saw our father and other sister), then swooped back up to mom's. that's...better, honestly; i don't know that there's much to be gained by rounding all of us up, though it would be wonderful to have to consider it when, say, my niece or one of my nephews gets married one day. my niece, speaking of, asked at dinner the other night if we thought the robot apocalypse was nigh, and what did we think the world would be like in 30 years? she's latched onto the idea that the ozone layer repairing itself means that ecological disaster isn't nigh, and her mother does not wish to disabuse her of that notion. her father offered that he thinks there won't be any cars, and i predicted that humans would clot in denser living arrangements and free up more contiguous green space. i also more or less admitted that i expect her to grow up into a postapocalyptic warrior-chieftain who rules gently-parented peon-followers with an iron fist, which she seemed to take in stride; she noted that she thinks she's ready to see the terminator, and i warned her that she's going to have to deal with arnold schwarzenegger's bare ass if so. i guess that if a macho 11-year-old girl is going to experience an ass, that one is relatively benign?

on apocalypses, we saw m3gan 2.0 last night and i was prepared to be disappointed after learning that, as in terminator 2, the titular killer robot is repurposed to defend the very fleshbags it was once intent on annihilating. i'd forgotten how much i enjoy allison williams's unexpectedly-legit comic delivery, and kate bush is deployed delightfully. i'm not all that interested in talking about AI, but that was a pleasant riff on the end times.

05.31.25 [on the F train]

we flew out to arizona for my stepsister's wedding at the beginning of the month. she's the last member of my immediate family and stepfamily to marry, a detail most of us don't think about very much and a couple of us think about so intensely that i imagine one of those movie scenes where a bunch of buzz-cut, midcentury-ed-harris-y dudes in a control room applaud a wall of monitors and slap each other's backs and shake hands with cigarettes dangling out of their mouths, and also they are all simultaneously jane austen characters. the wedding was in sedona, a place joe and i lunched in with my in-laws maybe 15 years ago that i am old enough to consistently associate with axl rose and stevie nicks' fajita roundup. it was very scenic! we didn't see very much of it, as we drove up from phoenix midday on a friday and decamped in the early afternoon on a sunday, but i appreciate why people associate it with vortices and very much appreciate that it's home to the flagship location of the rock store i favor when we're meeting joe's family up in flagstaff. my stepfamily is...colorful, and i've spent a lot of time on the metaphorical and literal treadmill over the last year thinking about what i would or wouldn't say to the estranged member of it who crashed my grandmother's memorial service during the first trump administration (he served in that one and is serving in this one, and though he is too stupid to be effective at much of anything i resent quite energetically the way others have stooped for him); that time he and his wife approached me and, off guard, i chatted politely with them. joe feels very strongly that i should hold my tongue in person for the sake of the mutuals i esteem, and i feel that's how we slide into fascism and fantastize about picking pieces of his equine teeth out of my knuckles. one of my sisters and i talked about this at length and she was going to wear a rainbow pin to wedding events to telegraph, among other things, her disinterest in engaging; ultimately she did not, but her sons and i did. i couldn't tell you if someone told the garbage relative that i wasn't interested in interacting with him; i moved to the other side of a few rooms out there in arizona, and ultimately i'd decided that if i had to say anything to him i would just say no.

my father gave a speech the night of the rehearsal dinner, which was maybe a big deal or maybe not; we met the bride when i was in my twenties and she was barely a teen, so i think there was a lot more riding on how everyone else moved through that event than on how i did. i love her, and i'm glad for her that she's had someone other than her own terrible father to help her figure out how the world is put together; i'm proud of him for standing up for her in ways said terrible father couldn't or wouldn't. i think my empathic imagination is respectable, but i don't have any idea what it would be like to be her, not really. when she was in college she got a tattoo on her instep that says INHALE / EXHALE, but thanks to the dodgy script and, you know, this universe's dodgy script it appears to read INHALE WHALE. that's what i think it must feel like to be her; inhale whale. at a post-rehearsal reception she told me very sweetly that i was welcome to take molly with everyone at the afterparty the next day, and i leave it to you to decide whether or not that is something i did. speaking of choosing one's own adventures, the sister who pussied out of wearing a pin to wedding stuff (i kid, mostly, she is a kinder person than i am) got this bracing library book in which one of the decision-tree outcomes was getting enslaved by christopher columbus, a work that could be in some peril now that the administration is purging public collections. i am rooting for the woke choose-your-own-adventure book; hopefully someone sneaks it to the little girl whose horse-faced dad is dead to me, a towheaded little sprite who skipped down the aisle at the wedding with her anti-vax mother, who sported a slit-to-the thigh, sheer and boned layer cake of nude tulle like the onlyfans tooth fairy.

04.26.25 [on the F train]

we flew home from portugal via toronto this past sunday on the first flight that has ever given me occasion to resent canada (we were delayed for flimsy-sounding reasons that kept changing; we had to transfer from one toronto airport to another that was, inexplicably, just offshore in lake ontario; we were assured many times that our luggage would be checked through and transferred without our having to collect and haul it across town, an idea so lovely and hard to believe that we visited the first baggage claim anyway and found our suitcases circling the chute like orphaned ducklings). our two weeks abroad were unusual ones: i thought to look up local protests the night we arrived on the eve of the "hands off" actions april 5, and was delighted to discover democrats abroad were planning an action in the praça dos restauradores, which was a five-minute walk from our hotel. i found an art store with poster supplies, holed myself up in the bathroom as joe slept off his jet lag, and made a double-sided placard: THEY ARE JOKERS, NOT KINGS and MAKE AMERICA CONSTITUTIONAL AGAIN (NAZI DOGE FUCK OFF). duolingo had been doing its best to teach me some portuguese and i considered cutting my sign in the shape of an apple (MACA = maça), but i checked myself before i wrecked myself. about 700 people gathered at the plaza—i actually believe this figure, a few diligent souls moved through the crowd counting us head by head—and drew comparisons with portugal's carnation revolution 51 years ago, yelled earnest things about social security (many expat retirees on the scene), sang leonard cohen's "hallelujah," which i have accepted as something we're going to hear everywhere on all occasions for a little while longer. (i kind of hope his estate is litigious?) we spent the subsequent week engaging in light tourism, with my mom and stepdad joining in a few days later, then took a train up to porto and boarded a riverboat, where in retrospect we really shouldn't have killed an albatross. it seems someone ele boarded when they weren't at their best, for norovirus whipped around the decks over the next week like me at the local roller rink when i was nine. joe went down early saturday night, mom and doug joined him in the wee hours, and at least four waves of contagion rolled over us as we tried and failed to sail up to spain, thanks to once-in-a-decade heavy rains that confounded the douro river's locks. we were stuck in the same valley town for four days, and the invalids couldn't even open the drapes in their cabins, as we were parked between other stranded vessels. the sandwiching was so enthusiastic that we accessed the beleaguered valley town through a couple of other ships, so i'm beginning to think they got a few turns with saramago's revenge as well. as that happened i learned that my cousin's brain cancer had accelerated and he was likely to die before we could get home, before i could get there if i bolted and brought him portuguese norovirus, and so he did. i spent my days joining various hikes and bike rides by myself watching fog roll through terraced vineyards in the rain and imagining what it would be like to be 40 and give birth to my second daughter right before my husband died. in my mind's eye my cousin is a little boy with a san francisco giants tee shirt hanging past his knees and ears like pennants, and i don't know when i will think of him as someone who isn't going to write back. our last interaction was his laughing at my enthusiasm for enrique iglesias's "escape," which is an easier place to leave things with someone than where my sister had to try to steer things at his bedside for all of us. joe came to the deserted patio where i'd been assembling a huge puzzle all week to say that it was time to come back and pack, it wasn't fair for me to clang around when he was sleeping, and i caved, then tantrumed: i'd had a rough couple of days, all i wanted was to finish a fucking puzzle, if he wasn't going to offer any comfort why couldn't he just leave me alone. so that's how i sobbed over a thousand pieces of the mona lisa while the night crew played eurovision pop, her right shoulder fused together where my mom had spilled nonalcoholic prosecco on it a few days earlier. i wish you were here.

03.15.05 [on the J train]

baby's first rally on the steps of city hall was successful, i hope; i signed up to roll out in support of city legislation that would defund and defang an especially gross portion of the nypd that was created to face domestic terrorism and has become (surprise surprise) a wildly expensive protester-savaging brigade. i learned that standing in the morning sun for an hour is no joke, so i need to stick to a light sleeved shirt if i'm going to hide my tattoos (is that even a thing, since i don't wear a mask and my Resting Progressive Face was absolutely in every photo and video that day?), and downtown in general evokes the mariko aoki phenomenon, so maybe i should skip coffee (joe: "if you'd taken a dump on the steps of city hall you'd definitely be in everyone's facial-recognition system"). i hope the legislation gains sponsors and supporters this year; our councilperson is considered low-hanging fruit, so i'm game to show up at her office and make the ask in person. maybe we could also hype each other up about the virtues of congestion pricing and luring our governor/senators/mayor into a trebuchet? i don't have a lot of spare time on my hands but seem to be in the sweet spot where momentum breeds momentum. that's been true socially, too—i've seen like a dozen friends so far this month, several of whom *hung out in our apartment,* and i don't yet feel like walking into the sea. i even went to a birthday thing where i only knew the host! i realize how mini-golf all of this is, but it's very easy to tuck myself in a demisocial space where i'm pleasant in passing—like, i don't know anyone's name at the library beyond the staffer who showed me how to monitor the quiet study room—so leveling up to, i don't know, brunch and drinks isn't nothing.

joe is in arizona this week, so i made a daunting vat of chili the day he headed out and have been cranking out lifestyle content in silence; once a day i roll out for an hour to thrift shop or wander through an uzbek grocery store, it's all very efficient. even so i'm still unable to file more than one story a day; that's probably a good thing, i should be making steady progress on the longer-form pieces i've been working on for the past six months (mushrooms at the end of the world) and need to hand over before we meet family in portugal (what the cat saw). instead i skitter off and ping editors: wouldn't it be fun to do a little pop culture piece real quick? the uzbek grocery store has wooden barrels of linden honey from russia that are the size of a toddler's head, like something donkey kong would have thrown during the cold war, and my yearning for one very nearly overwhelmed the fact that russian stuff is not the stuff to acquire right now and joe wil straight-up walk out if i buy any more honey (the trove we've got right now is probably our most significant apocalypse accessory). it's harmless to circle back and look at them, though, no? this is the bootleg breakfast at tiffany's remake our moment deserves.

02.25.25 [on the M train]

our apartment has been photographed for a tour, as have i, though joe and the cats will i guess remain unknown to the blogosphere! i wish we'd made an appointment even earlier, since by the time we got down to business the last of the extra-golden light was slinking out of the living room, but at 9 a.m. i was already a scattered babbler, so god knows what would have happened if we'd aimed for some properly rosy-fingered dawn. the photographer spent a full two hours doing her thing, only 15 minutes of which were watching me try to convince maya to let me hold her for more than three seconds (the shape of a proper camera is scary, and it makes such mysterious clicks). i wasn't nervous, but i still can't smile on command, so we'll see what J the blogger and her team think about that.

apparently it could be months or even a year or more before anything is published online, which feels like fair play after all the house tours i've kicked down the calendar as a freelancer. and sometimes tours get killed? though that seems unlikely here, since they shelled out for a proper photographer and i don't plan on becoming a flamboyant public racist or anything? even if i do and it is, the apartment's in the best shape of its nearly 15 years with us: with this shoot hanging over my head i finally got the coat rack installed beside the front door (it had been crouching against the mirror on our dining table for at least six months, which probably means a year), the curtains are up in the bedroom (they'd been in the back of the closet since february of 2020), the bowls of christmas ornaments and lights are out from under the dining table and hidden behind the crazy silk flower garland i created above the kitchen cabinets, and those flowers are all off the dining table. it's all very exciting.

02.08.25 [on the J train]

most people probably don't need to hear that naomi novik's temeraire series, an alternate history in which the napoleonic wars are fought with dragons, features Dragon Tribulations, but i was not ready for it and had to fawn over the cats in the wee hours this morning to self-soothe. if the rest of the books are anywhere near as entertaining as the first i will be well pleased; if they are not i will rewarch master and commander and imagine russell crowe as a dragon and be well pleased.

in contemporary fantasy, i'm about to start the follow-up to cadwell turnbull's magnificent no gods, no monsters, and i genuinely can't remember if i've posted about it before; a hazard of writing this stuff out when i'm still more than half-asleep on the train, but one does what one can with what one has. he explores identity, othering, allyship, and intersectionality by working through the idea that "monsters" (anyone who uses magic, from seers and witches to shapeshifters) have always lived among nonmagical humans, various secret societies have tried to protext/exploit/exterminate them, and now everyone knows about them—sort of, as their revelation is suppressed and lots of people don't want to wrap their heads around what it would mean if, say, the cops gunned down a werewolf. several of the principal characters work together at a cooperative bookstore; the title's a riff on "no gods, no monsters," the old anarchist chant. there's a scene of extreme violence near the end (speaking of trigger warnings, my sister pinged me to warn me about that) which comes closer to what i imagine perpetrating or being the victim of a similar act would feel like than anyting i've read before; the whole thing is a magnificent work of empathy, and i kind of want to read it again. (like lincoln in the bardo, its polyphony gets kind of slippery from time to time, especially when characters are time traveling and skittering between multiverses.) but there's no time to reread! there's barely time to read! you'd think joe and i would be barreling through media we'd been neglecting in favor of the 3-4 hours of cable news we were mainlining before the election, but that time seems to have simply disappeared. i'm going on longer walks and spending an extra 15-30 minutes a day at the gym, but that doesn't account for it. i certainly haven't been cleaning, i haven't been writing all that much, and i haven't been napping as frequently, though saturday afternoons are still long-haul adventures. i would love to discover that i've been winking out and fighting crime in another dimension, but aside from some inexplicable thing that's gone down with my left knee and some inconvenient acne, i have no physical evidence of this double life. probably i'm underestimating my fixation on reddit.